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Art print Attack of the green nipple and the white structures, June 7, 1855, episode of the Crimean War 1853-1856 - Paul Alexandre Protais | Art print

Matte finish reproduction

Rear View

FRAME (OPTIONAL)

Attack on the Green Mamelon and the White Works, June 7, 1855, episode of the Crimean War 1853-1856: a historic moment The art print "Attack on the Green Mamelon and the White Works, June 7, 1855" by Paul Alexandre Protais depicts a significant episode of the Crimean War. With dark colors and striking contrasts, the piece portrays the tension and chaos of a battle. The meticulous details of military uniforms and fortifications testify to rigorous historical research. The dynamic composition, where soldiers seem to clash in frantic movement, creates an atmosphere of drama and urgency, immersing the viewer in the heart of the action. Paul Alexandre Protais: a witness to the war Paul Alexandre Protais, a French painter and illustrator of the 19th century, is known for his representations of military scenes. Active during the Crimean War, he captured the realities of the conflict with remarkable accuracy. Influenced by realism, Protais documented the events of his time, offering a valuable insight into military life and wartime conditions. His works, often commissioned by military institutions, played a crucial role in the collective memory of this tumultuous period, making him an essential artist of his era. A decorative acquisition with multiple advantages The art print of "Attack on the Green Mamelon and the White Works" is a captivating decorative piece, perfect for an office or a living room. It offers a window into history while adding an intellectual dimension to your interior decor. The printing quality ensures impressive fidelity to the details of the original work, allowing full appreciation of Protais's talent. With its visual appeal and historical context, this piece will enrich your living space with a touch of elegance and depth.

Art print Attack of the green nipple and the white structures, June 7, 1855, episode of the Crimean War 1853-1856 - Paul Alexandre Protais | Art print

ABOUT OUR PAINTINGS :
Canvas, matte finish print, mounted on a wooden structure, ready to hang. Framing options available on certain sizes.

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Matte finish reproduction

Rear View

FRAME (OPTIONAL)

Attack on the Green Mamelon and the White Works, June 7, 1855, episode of the Crimean War 1853-1856: a historic moment The art print "Attack on the Green Mamelon and the White Works, June 7, 1855" by Paul Alexandre Protais depicts a significant episode of the Crimean War. With dark colors and striking contrasts, the piece portrays the tension and chaos of a battle. The meticulous details of military uniforms and fortifications testify to rigorous historical research. The dynamic composition, where soldiers seem to clash in frantic movement, creates an atmosphere of drama and urgency, immersing the viewer in the heart of the action. Paul Alexandre Protais: a witness to the war Paul Alexandre Protais, a French painter and illustrator of the 19th century, is known for his representations of military scenes. Active during the Crimean War, he captured the realities of the conflict with remarkable accuracy. Influenced by realism, Protais documented the events of his time, offering a valuable insight into military life and wartime conditions. His works, often commissioned by military institutions, played a crucial role in the collective memory of this tumultuous period, making him an essential artist of his era. A decorative acquisition with multiple advantages The art print of "Attack on the Green Mamelon and the White Works" is a captivating decorative piece, perfect for an office or a living room. It offers a window into history while adding an intellectual dimension to your interior decor. The printing quality ensures impressive fidelity to the details of the original work, allowing full appreciation of Protais's talent. With its visual appeal and historical context, this piece will enrich your living space with a touch of elegance and depth.

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