Cecilia Beaux's Self-Portrait is a work that transcends mere artistic exercise to become a true introspection of the human soul. Painted at the end of the 19th century, this iconic piece immerses us in the universe of an artist who is both modern and rooted in the traditions of classical portraiture. The depiction of Beaux, with her penetrating gaze and thoughtful expression, invites us to explore not only her identity but also the socio-cultural context of her time. This artwork, through its emotional depth and technical skill, continues to fascinate art enthusiasts and historians, testament to the richness of her legacy. Style and uniqueness of the work Cecilia Beaux's style is distinguished by remarkable finesse and meticulous attention to detail. In this art print, she uses plays of light and shadow to create an intimate atmosphere, emphasizing the three-dimensionality of her face. The color palette, subtle and nuanced, evokes a sensitivity that goes beyond simple representation. Every brushstroke seems charged with intention, emotion, making the canvas come alive. Beaux, as a female artist in an era dominated by men, infuses her art print with strength and determination that manifest in the way she presents herself. Her choice to paint herself, with a frank gaze and confident posture, is a bold statement, an affirmation of her identity and her role in the art world. The artist and her influence Cecilia Beaux, born in 1855 in Philadelphia, is often recognized as one of the major figures of American portraiture. Her career, spanning several decades, demonstrates constant evolution and adaptation to the artistic changes of her time. Influenced by masters such as Sargent and Whistler, Beaux develops a style that is uniquely her own, blending realism and impressionism. Her work is not limited to creating portraits but also extends to teaching, where she inspires many generations of artists. As a pioneer, she paves the way for other women in the field, proving that art knows no gender or borders. Her influence endures.